So I’m currently reading Murakami’s, “Wind-Up Bird Chronicle”…( I know, I’m so late to that bus). Man in the well? I mean, the book and the these drawings should have tea together. I feel like they’d be best friends.
And for some facts on Martin Ramirez: ( I’m going to let wikipedia take this one): Having migrated to the United States from Tepatitlan, Mexico in 1925, Ramírez was institutionalized in 1931, first at Stockton State Hospital in Stockton, California, then, beginning in 1948, at DeWitt State Hospital in Auburn, near Sacramento, where he made the drawings and collages for which he is now known. At DeWitt, a visiting professor of psychology and art, Tarmo Pasto, came across Ramírez’s work and began to save the large-scale works Ramírez made using available materials, including brown paper bags, scraps of examining-table paper, and book pages glued together with a paste made of potatoes and saliva. His works display an idiosyncratic iconography that reflect both Mexican folk traditions and twentieth-century modernization: images of Madonnas, horseback riders, and trains entering and exiting tunnels proliferate in the work, along with undulating fields of concentric lines that describe landscapes, tunnels, theatrical prosceniums, and decorative patterns.